MINISYMPOSIUM MUESUM | option Construction<\/p>\n
Alice Malinge<\/strong> (historienne de l\u2019art et responsable du Bureau des transmissions au Mamco)<\/p>\n Visite tactique & strat\u00e9gie au Mamco<\/p>\n Supposons que visiter le Mamco par le biais de la tactique et de la strat\u00e9gie reviendrait \u00e0 raconter comment un lieu cherche \u00e0 faire entrer les \u0153uvres et les visiteurs dans des jeux de m\u00e9moire et de cat\u00e9gorisation mais aussi de provocation, de travestissement et de d\u00e9doublement.\u00a0Cela pr\u00e9sumerait de montrer des expositions\u00a0comme autant de fa\u00e7ons de sugg\u00e9rer un autre corps aux \u0153uvres et de choisir de ne pas le d\u00e9voiler enti\u00e8rement, parfois m\u00eame de le cacher. Il s’agirait de\u00a0regarder\u00a0des strat\u00e9gies et des tactiques expositionnelles comme des effets de conduite, d’acc\u00e9l\u00e9ration ou de ralentissement adress\u00e9s au regard d’un visiteur qui ne manque pas d’y \u00e9chapper.<\/p>\n Fran\u00e7ois Hers<\/strong> (artiste et fondateur des nouveaux commanditaires, Paris)<\/p>\n Le protocole des nouveaux commanditaires<\/p>\n \u00ab\u00a0Le Protocole des Nouveaux commanditaires d\u00e9finit les r\u00f4les et les responsabilit\u00e9s d\u2019acteurs qui m\u00e8nent ensemble une action dont la finalit\u00e9 est l\u2019\u00e9mergence d\u2019\u0153uvres d\u2019art, en tout domaine de cr\u00e9ation. Extrait du Protocole des Nouveaux commanditaires, 2015<\/p>\n Koenraad Dedobbeler<\/strong> (artiste, curateur occasionnel et \u00e9diteur amateur, Bruxelles)<\/p>\n Think Greece on a Colossal Scale Samuel Leuenberger<\/strong> (curateur, Basel)<\/p>\n Opening up the museum \u2013 how to take the display out of the institution and into the living arts?<\/p>\n Today, more museums than ever are being built, is there an alternative to conserving and more so in presenting the arts? \u00a0Samuel Leuenberger has been active in\u00a0the art world for almost 18 years, but in widely different\u00a0commercial and non-commercial exhibition contexts. Since 2009 he runs the prolific non-for-profit\u00a0space SALTS in Birsfelden, Basel but it is especially in the past 3 years that he has began to experiment with different public and nomadic projects and by challenging institutional presentations such as that of the Cahiers d\u2019Artists in 2012 where artistic\u00a0interventions\u00a0where shown in the context of the city of Basel rather than in the exhibition halls. Assisting with the large scale performance project, 14 Rooms in 2013, the term living sculptures suggests to replace the object, asking the question, is there a\u00a0possibility for the artwork to stay at home at night? And with the upcoming Parcours at Art Basel in 2016, the ideas around public\u00a0sculpture (events) are being questioned in terms of a wider context, intercity collaborations and\u00a0political\u00a0networks.<\/p>\n","protected":false},"excerpt":{"rendered":" MINISYMPOSIUM MUESUM | option Construction Alice Malinge (historienne de l\u2019art et responsable du Bureau des transmissions au Mamco) Visite tactique & strat\u00e9gie au Mamco Supposons que visiter le Mamco par le biais de la tactique et de la strat\u00e9gie reviendrait \u00e0 raconter comment un lieu cherche \u00e0 faire entrer les \u0153uvres et les visiteurs dans […]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-5455","post","type-post","status-publish","format-standard","hentry","category-symposium"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=\/wp\/v2\/posts\/5455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5455"}],"version-history":[{"count":4,"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=\/wp\/v2\/posts\/5455\/revisions"}],"predecessor-version":[{"id":5460,"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=\/wp\/v2\/posts\/5455\/revisions\/5460"}],"wp:attachment":[{"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5455"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5455"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nIl propose \u00e0 toute personne de la soci\u00e9t\u00e9 civile qui le souhaite, sans exclusive et en n\u2019importe quel lieu, seule ou associ\u00e9e \u00e0 d\u2019autres, les moyens d\u2019assumer la responsabilit\u00e9 d\u2019une commande d\u2019\u0153uvre \u00e0 un artiste. En tant que commanditaire, il lui appartient d\u00e8s lors de comprendre et de dire une raison d\u2019\u00eatre de l\u2019art et d\u2019un investissement de la collectivit\u00e9 dans la cr\u00e9ation.\u00a0\u00bb <\/em><\/p>\n
\nA walk through the representational images of museum spaces and ideologies.
\n\u2028
\nKoenraad Dedobbeleer spends an important amount of his time in the European capital, sharing life with his wife, the no less than brilliant artist, Val\u00e9rie Mannaerts and their daughter Claude Konrad Mannaerts.\u00a0Recently he co-curated the exhibition European Ghosts – the represenation of art from Africa in the twentieth century. at Mu.Zee in Ostend. Over the past year has held the larger solo-exhibitions analysing the sculptural qualities of display models in\u00a0A Quarrel in a Faraway Country Between People of whom We Know Nothing\u00a0at GAK, Bremen and\u00a0Furiously Positive Striving of People Who Refuse to Be Dismissed at Extra City in Antwerp. In 2014, he published the book Compensating Transient Pleasurable Excitations with Roma Publications. \u00a0Together with his accomplice Kris Kimpe he has been publishing the architecture fanzine UP, dedicated to a singular and subjective love of the built, since 2006. Recent installments being dedicated to museum architecture are UP16 on Palazzo Rosso in Genova, UP 15 on Museum Abteiberg in Monchengladbach and UP14 on Centro Cultural Sao Paulo in Sao.<\/p>\n