MINISYMPOSIUM MUESUM | option Construction<\/p>\n
Michel Giroud<\/strong>\u00a0(peintre oral et tailleur en tout genre)<\/p>\n Fluxus et cie, ses cons\u00e9quences en Europe Moritz K\u00fcng<\/strong> (independent curator, Barcelona)<\/p>\n How inadequate an exhibition venue can be?<\/p>\n Barcelona based curator Moritz K\u00fcng will talk about some of his early and recent exhibition projects that took place in unconventional spaces, like APP.BXL in his own Brussels apartment (1994-1997), the solo exhibition SUPER SPACE of Ann Veronica Janssens in the context of a theatre festival and the city centre of Utrecht (1997), METRO L\u2019exposition comme infiltration du mus\u00e9e. Les premi\u00e8res expositions de Hans-Ulrich Obrist portent l\u2019art contemporain hors du lieu o\u00f9 il est habituellement montr\u00e9. En 1991, il expose plusieurs artistes dans la cuisine de son appartement \u00e0 St Gall. D\u2019autres projets consisteront \u00e0 faire entrer l\u2019art contemporain dans des mus\u00e9es qui ne sont pas destin\u00e9s \u00e0 sa pr\u00e9sentation. Nous partirons de l\u2019intervention de l\u2019artiste Gabriel Orozco dans la s\u00e9rie Migrateurs, initi\u00e9e en 1994 au Mus\u00e9e d\u2019art moderne de la Ville de Paris, pour nous interroger \u2013 et d\u2019abord sur la fa\u00e7on de d\u00e9signer ces processus\u00a0: \u00ab\u00a0d\u00e9localisation\u00a0\u00bb, \u00ab\u00a0d\u00e9territorialisation\u00a0\u00bb, \u00ab\u00a0infiltration\u00a0\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":" MINISYMPOSIUM MUESUM | option Construction Michel Giroud\u00a0(peintre oral et tailleur en tout genre) Fluxus et cie, ses cons\u00e9quences en Europe \u00a0 Arch\u00e9ologie et g\u00e9n\u00e9alogie de Fluxus (Paris et le Chat noir, l\u2019expressionnisme en Allemagne, le futurisme en Italie, le supr\u00e9matisme en Russie, dada, Duchamp et Cage \u00e0 New York) Fluxus est aujourd\u2019hui une bo\u00eete \u00e0 […]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-5461","post","type-post","status-publish","format-standard","hentry","category-symposium","reglages-1eres-annees","reglages-2emes-annees","reglages-3emes-annees"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=\/wp\/v2\/posts\/5461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5461"}],"version-history":[{"count":5,"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=\/wp\/v2\/posts\/5461\/revisions"}],"predecessor-version":[{"id":5909,"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=\/wp\/v2\/posts\/5461\/revisions\/5909"}],"wp:attachment":[{"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/campus.hesge.ch\/construction\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u00a0
\nArch\u00e9ologie et g\u00e9n\u00e9alogie de Fluxus (Paris et le Chat noir, l\u2019expressionnisme en Allemagne, le futurisme en Italie, le supr\u00e9matisme en Russie, dada, Duchamp et Cage \u00e0 New York)
\nFluxus est aujourd\u2019hui une bo\u00eete \u00e0 outils, une cl\u00e9 universelle qui nous permet d\u2019ouvrir toutes les portes. Comment conserver (archives, documentation, biblioth\u00e8ques\u2026) Fluxus\u00a0?
\nL\u2019acte Fluxus est un acte \u00e9conomique, social, politique, culturel et spirituel. Qui conserve Fluxus\u00a0?
\nFluxus, le mus\u00e9e et les petits mus\u00e9es ?<\/p>\n
\nGabriel Orozco dans le projet Migrateurs de Hans-Ulrich Obrist<\/p>\n