{"id":1924,"date":"2015-04-14T13:52:20","date_gmt":"2015-04-14T11:52:20","guid":{"rendered":"http:\/\/head.hesge.ch\/art\/?p=1924"},"modified":"2016-01-04T10:49:55","modified_gmt":"2016-01-04T09:49:55","slug":"conference-aaron-schuster","status":"publish","type":"post","link":"https:\/\/campus.hesge.ch\/head-artsvisuels\/conference-aaron-schuster\/","title":{"rendered":"Aaron Schuster : \u00ab\u00a0In Times Like These\u2026 What Cinema Teaches Us About Neoliberalism\u201d"},"content":{"rendered":"<p>Conf\u00e9rence<\/p>\n<p>Aaron Schuster, philosophe<\/p>\n<p>\u201cIn Times Like These\u2026 What Cinema Teaches Us About Neoliberalism\u201d<\/p>\n<p>HEAD \u2013 Gen\u00e8ve<\/p>\n<p>Boulevard Helv\u00e9tique 9, 1205 Gen\u00e8ve<\/p>\n<p>salle 25 Jeudi 23 18.30<\/p>\n<p>My title comes from a phrase that serves as a refrain in Ernst Lubitsch\u2019s Depression\u2010era comedy masterpiece Trouble in Paradise (1932); Lubitsch\u2019s deft use of this clich\u00e9d expression provides an example of ideology critique in action, taking apart the supposed necessity of salary cuts and other punitive economic policies in times of austerity. Starting from Lubitsch, my talk will look at Scorsese\u2019s Taxi Driver and Lumet\u2019s Network, written by Paddy Chayefsky, (both from 1976) as oddly complementary psychotic expressions of the crisis at the beginning of neoliberalism, and then turn to Gilroy\u2019s recent Nightcrawler (2014), as a satirical portrait of the ideal type of subjectivity under the conditions of entrepreneurial rule and enforced precarity. I will also remark on how, from a psychoanalytic perspective, the formation of the neoliberal subject can be understood as a translation of death drive into debt drive.<\/p>\n<p>Aaron Schuster est un philosophe et \u00e9crivain. Il dirige le Programme de th\u00e9orie \u00e0 l&rsquo;Institut Sandberg, Amsterdam, et est un membre du Centre d&rsquo;\u00e9tudes avanc\u00e9es en Europe du Sud\u2010Est, Rijeka. Il a \u00e9crit sur des sujets tels que la plainte, la paresse, la sexualit\u00e9 et l\u2019anti-sexualit\u00e9, le cin\u00e9ma de Ernst Lubitsch, la dette, les chatouilles, la philosophie du plaisir, et l&rsquo;histoire de la l\u00e9vitation. Une grande partie de sa recherche concerne la relation entre la psychanalyse et la philosophie continentale, et il a \u00e9galement collabor\u00e9 avec des artistes sur un certain nombre de projets et de performances, plus r\u00e9cemment comme dramaturge pour le Karaok\u00e9 Dialogues de Daniel Linehan. Son livre The Trouble With Pleasure. Deleuze et la psychanalyse est imminente et publi\u00e9 par MIT Press.<\/p>\n<p>Une proposition de l&rsquo;option Art\/action.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conf\u00e9rence Aaron Schuster, philosophe \u201cIn Times Like These\u2026 What Cinema Teaches Us About Neoliberalism\u201d HEAD \u2013 Gen\u00e8ve Boulevard Helv\u00e9tique 9, 1205 Gen\u00e8ve salle 25 Jeudi 23 18.30 My title comes from a phrase that serves as a refrain in Ernst Lubitsch\u2019s Depression\u2010era comedy masterpiece Trouble in Paradise (1932); Lubitsch\u2019s deft use of this clich\u00e9d expression [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1924","post","type-post","status-publish","format-standard","hentry","category-rencontre","lieux-head-bd-helvetique","organisations-art-action"],"acf":[],"_links":{"self":[{"href":"https:\/\/campus.hesge.ch\/head-artsvisuels\/wp-json\/wp\/v2\/posts\/1924"}],"collection":[{"href":"https:\/\/campus.hesge.ch\/head-artsvisuels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/campus.hesge.ch\/head-artsvisuels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/head-artsvisuels\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/head-artsvisuels\/wp-json\/wp\/v2\/comments?post=1924"}],"version-history":[{"count":3,"href":"https:\/\/campus.hesge.ch\/head-artsvisuels\/wp-json\/wp\/v2\/posts\/1924\/revisions"}],"predecessor-version":[{"id":2325,"href":"https:\/\/campus.hesge.ch\/head-artsvisuels\/wp-json\/wp\/v2\/posts\/1924\/revisions\/2325"}],"wp:attachment":[{"href":"https:\/\/campus.hesge.ch\/head-artsvisuels\/wp-json\/wp\/v2\/media?parent=1924"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/campus.hesge.ch\/head-artsvisuels\/wp-json\/wp\/v2\/categories?post=1924"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/campus.hesge.ch\/head-artsvisuels\/wp-json\/wp\/v2\/tags?post=1924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}