{"id":1461,"date":"2019-05-27T11:16:17","date_gmt":"2019-05-27T10:16:17","guid":{"rendered":"https:\/\/head.hesge.ch\/biblio\/?p=1461"},"modified":"2020-09-07T15:26:53","modified_gmt":"2020-09-07T15:26:53","slug":"colpo-di-fulmine","status":"publish","type":"post","link":"https:\/\/campus.hesge.ch\/headbiblio\/2019\/05\/colpo-di-fulmine\/","title":{"rendered":"Colpo di fulmine"},"content":{"rendered":"\n<h2 class=\"has-text-align-center wp-block-heading\">Gialli italiani<\/h2>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"363\" height=\"308\" src=\"https:\/\/i0.wp.com\/head.hesge.ch\/biblio\/wp-content\/uploads\/sites\/2\/2019\/05\/giallo-classicos-1.jpg?resize=363%2C308&#038;ssl=1\" alt=\"\" class=\"wp-image-1466\" srcset=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo-classicos-1.jpg?w=363&amp;ssl=1 363w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo-classicos-1.jpg?resize=300%2C255&amp;ssl=1 300w\" sizes=\"auto, (max-width: 363px) 100vw, 363px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Le \u00ab<strong>giallo&nbsp;\u00bb<\/strong> est un genre de films, principalement italien, \u00e0 la fronti\u00e8re du cin\u00e9ma policier, du cin\u00e9ma d&rsquo;horreur et de l&rsquo;\u00e9rotisme, qui a connu son heure de gloire dans les ann\u00e9es 1960 \u00e0 1980. <\/p>\n\n\n\n<p class=\"has-text-align-center\"> Nous venons d\u2019acheter une petite s\u00e9lection de DVD de \u00ab&nbsp;gialli&nbsp;\u00bb  italiens, afin de compl\u00e9ter notre collection, car nous avions d\u00e9j\u00e0 des  DVD de Dario Argento et Mario Bava, qui sont les ma\u00eetres du genre.  <\/p>\n\n\n\n<p class=\"has-text-align-center has-text-color\" style=\"font-size:23px;color:#f6d600\"><strong>Pour vous mettre en app\u00e9tit <\/strong>:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Mario Bava<\/strong>&nbsp;: <a href=\"https:\/\/explore.rero.ch\/fr_CH\/ge\/result\/L\/VlRMU19SRVJPUjAwODg3MzI4Mg==\">\u00ab\u00a0<\/a><strong><a href=\"https:\/\/explore.rero.ch\/fr_CH\/ge\/result\/L\/VlRMU19SRVJPUjAwODg3MzI4Mg==\">Sei donne per l\u2019assassino\u00a0\u00bb<\/a><\/strong>&nbsp; (Six femmes pour l\u2019assassin) le film fondateur du giallo, une maison de haute couture, des mannequins assassin\u00e9es, des d\u00e9cors baroques (ou kitsch)\u2026 Ed. DVD- Blu-ray <br>Cote&nbsp;: <strong>7.071 BAVA\/2 a-b<\/strong><\/li><\/ul>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/head.hesge.ch\/biblio\/wp-content\/uploads\/sites\/2\/2019\/05\/giallo_uno.jpg?resize=389%2C250&#038;ssl=1\" alt=\"\" class=\"wp-image-1462\" width=\"389\" height=\"250\" srcset=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo_uno.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo_uno.jpg?resize=300%2C193&amp;ssl=1 300w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo_uno.jpg?resize=1024%2C659&amp;ssl=1 1024w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo_uno.jpg?resize=768%2C494&amp;ssl=1 768w\" sizes=\"auto, (max-width: 389px) 100vw, 389px\" \/><figcaption> <strong>Mario Bava<\/strong>&nbsp;: <strong>Sei donne per l\u2019assassino (1964)&nbsp;  <\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Lucio Fulci<\/strong>&nbsp;: <a href=\"https:\/\/explore.rero.ch\/fr_CH\/ge\/result\/L\/VlRMU19SRVJPUjAwODg3MzI5Nw==\">\u00ab\u00a0<\/a><strong><a href=\"https:\/\/explore.rero.ch\/fr_CH\/ge\/result\/L\/VlRMU19SRVJPUjAwODg3MzI5Nw==\">Una lucertola con la pelle di donna\u00a0\u00bb<\/a><\/strong> (Le venin de la     peur) distille une ambiance &nbsp;onirique, voire psych\u00e9d\u00e9lique\u2026 Edition DVD-Blu-ray accompagn\u00e9e d\u2019un CD avec la bande originale du film sign\u00e9e Ennio Morricone, ainsi que de nombreux compl\u00e9ments <br>Cote&nbsp;: <strong>77.071 FULC\/3 a-c<\/strong> <\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li> <strong>Lucio Fulci<\/strong> : <a href=\"https:\/\/explore.rero.ch\/fr_CH\/ge\/result\/L\/VlRMU19SRVJPUjAwODg3MzI5Nw==\">\u00ab\u00a0<\/a><strong><a href=\"https:\/\/explore.rero.ch\/fr_CH\/ge\/result\/L\/VlRMU19SRVJPUjAwODg3MzI5Nw==\">Paura nella citt\u00e0 dei morti viventi\u00a0\u00bb<\/a><\/strong> (Frayeurs) deuxi\u00e8me volet de la trilogie \u00ab&nbsp;Zombie&nbsp;\u00bb, un hommage \u00e0 Lovecraft. Edition DVD-Blu-ray + livre&nbsp; (79 p.) <br>Cote&nbsp;: <strong>7.071 FULC\/2 a-b<\/strong><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li> <strong>Lucio Fulci<\/strong>  :<strong> \u00ab\u00a0<a href=\"https:\/\/explore.rero.ch\/fr_CH\/ge\/result\/L\/VlRMU19SRVJPUjAwODg2NjQ4Nw==\">E tu vivrai nel terrore \u2013 l\u2019aldil\u00e0<\/a>\u00ab\u00a0<\/strong> (L\u2019au-del\u00e0) troisi\u00e8me volet de la trilogie \u00ab&nbsp;Zombie&nbsp;\u00bb. Edition DVD-Blu-ray + livre&nbsp; (80 p.) <br>Cote&nbsp;:<strong>7.071 FULC\/1 a-b <\/strong><\/li><\/ul>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/head.hesge.ch\/biblio\/wp-content\/uploads\/sites\/2\/2019\/05\/giallo_due.jpg?resize=400%2C218&#038;ssl=1\" alt=\"\" class=\"wp-image-1467\" width=\"400\" height=\"218\" srcset=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo_due.jpg?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo_due.jpg?resize=300%2C164&amp;ssl=1 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption> <strong>Lucio Fulci<\/strong>&nbsp;: <strong>Una lucertola con la pelle di donna (1971)  <\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Antonio Bido<\/strong>&nbsp;: <strong><a href=\"https:\/\/explore.rero.ch\/fr_CH\/ge\/result\/L\/VlRMU19SRVJPUjAwODg3MzI1Ng==\">Solamente nero<\/a><\/strong> (Terreur sur la lagune) un autre classique du giallo, Venise et ses brumes\u2026<br>Cote&nbsp;: <strong>7.071 BIDO\/1<\/strong><\/li><\/ul>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/head.hesge.ch\/biblio\/wp-content\/uploads\/sites\/2\/2019\/05\/giallo_tre.jpg?resize=406%2C228&#038;ssl=1\" alt=\"\" class=\"wp-image-1470\" width=\"406\" height=\"228\" srcset=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo_tre.jpg?w=853&amp;ssl=1 853w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo_tre.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo_tre.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 406px) 100vw, 406px\" \/><figcaption><strong> Antonio Bido: Solamente nero (1978)<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<ul class=\"wp-block-list\"><li> <strong>H\u00e9l\u00e8ne Cattet et Bruno Forzani<\/strong>&nbsp;: <a href=\"https:\/\/explore.rero.ch\/fr_CH\/ge\/result\/L\/VlRMU19SRVJPUjAwODA4MTA2MQ==\">\u00ab\u00a0<\/a><strong><a href=\"https:\/\/explore.rero.ch\/fr_CH\/ge\/result\/L\/VlRMU19SRVJPUjAwODA4MTA2MQ==\">Amer\u00a0\u00bb<\/a><\/strong> ce duo de r\u00e9alisateurs contemporains fran\u00e7ais reprend les codes du giallo<br> Cote&nbsp;:<strong> 7.071 FORZ\/CAT<\/strong> <\/li><\/ul>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/head.hesge.ch\/biblio\/wp-content\/uploads\/sites\/2\/2019\/05\/giallo_quattro.png?resize=416%2C212&#038;ssl=1\" alt=\"\" class=\"wp-image-1471\" width=\"416\" height=\"212\" srcset=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo_quattro.png?w=996&amp;ssl=1 996w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo_quattro.png?resize=300%2C154&amp;ssl=1 300w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2019\/05\/giallo_quattro.png?resize=768%2C393&amp;ssl=1 768w\" sizes=\"auto, (max-width: 416px) 100vw, 416px\" \/><figcaption>  <strong>H\u00e9l\u00e8ne Cattet et Bruno Forzani<\/strong>&nbsp;: \u00ab\u00a0<strong>Amer\u00a0\u00bb<\/strong> <\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Gialli italiani Le \u00abgiallo&nbsp;\u00bb est un genre de films, principalement italien, \u00e0 la fronti\u00e8re du cin\u00e9ma policier, du cin\u00e9ma d&rsquo;horreur et de l&rsquo;\u00e9rotisme, qui a connu son heure de gloire dans les ann\u00e9es 1960 \u00e0 1980. Nous venons d\u2019acheter une petite s\u00e9lection de DVD de \u00ab&nbsp;gialli&nbsp;\u00bb italiens, afin de compl\u00e9ter notre collection, car nous avions&hellip;&nbsp;<a href=\"https:\/\/campus.hesge.ch\/headbiblio\/2019\/05\/colpo-di-fulmine\/\" rel=\"bookmark\">Lire la suite &raquo;<span class=\"screen-reader-text\">Colpo di fulmine<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[51,52,50],"class_list":["post-1461","post","type-post","status-publish","format-standard","hentry","category-outofthebooks","tag-cinema","tag-dvd","tag-giallo"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts\/1461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/comments?post=1461"}],"version-history":[{"count":1,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts\/1461\/revisions"}],"predecessor-version":[{"id":2384,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts\/1461\/revisions\/2384"}],"wp:attachment":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/media?parent=1461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/categories?post=1461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/tags?post=1461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}