{"id":2524,"date":"2020-11-12T11:23:11","date_gmt":"2020-11-12T11:23:11","guid":{"rendered":"https:\/\/campus.hesge.ch\/headbiblio\/?p=2524"},"modified":"2020-11-12T11:23:13","modified_gmt":"2020-11-12T11:23:13","slug":"audio-arts-_-une-archive-sonore","status":"publish","type":"post","link":"https:\/\/campus.hesge.ch\/headbiblio\/2020\/11\/audio-arts-_-une-archive-sonore\/","title":{"rendered":"AUDIO ARTS _ une archive sonore"},"content":{"rendered":"\n<p class=\"has-normal-font-size\"><strong>AUDIO ARTS<\/strong> est un magazine sur cassette audio, publi\u00e9 entre 1972 et 2004 par <a href=\"https:\/\/www.tate.org.uk\/art\/artists\/william-furlong-13623\">Bill Furlong<\/a>. Il documente l\u2019activit\u00e9 artistique contemporaine par l\u2019enregistrement des voix des artistes, g\u00e9n\u00e9ralement capt\u00e9es \u00e0 proximit\u00e9 de leur travail.&nbsp;Le fonds comporte \u00e9galement des entrevues entre les artistes et les conservateurs, des commentaires par des artistes sur leurs \u0153uvres, des contenus sur de grands \u00e9v\u00e9nements artistiques internationaux, des collaborations avec des artistes, des performances sonores et autres \u0153uvres sonores. L\u2019ensemble des cassettes compte 245 heures d\u2019enregistrement et constitue <a href=\"https:\/\/www.tate.org.uk\/art\/archive\/tga-200414\/material-relating-to-william-furlongs-audio-arts-magazine\">une archive en libre acc\u00e8s<\/a> sur le site du Tate Modern Gallery.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2020\/10\/image.png?resize=300%2C199&#038;ssl=1\" alt=\"\" class=\"wp-image-2578\" width=\"300\" height=\"199\" srcset=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2020\/10\/image.png?w=559&amp;ssl=1 559w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2020\/10\/image.png?resize=300%2C199&amp;ssl=1 300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure><\/div>\n\n\n\n<p>La liste des personnes interrog\u00e9es comprend quelques-un.e.s des artistes les plus important.e.s de la fin du XXe si\u00e8cle.&nbsp;On peut notamment <a href=\"https:\/\/www.tate.org.uk\/art\/archive\/items\/tga-200414-7-3-1-48\/audio-arts-volume-14-no-4\">\u00e9couter Marina Abramovic<\/a> (minute 23, 1995), Daniel Buren, John Cage, Gilbert &amp; George, Susan Hiller, Anish Kapoor, <a href=\"https:\/\/www.tate.org.uk\/art\/archive\/items\/tga-200414-7-3-2-33\/audio-arts-published-supplement-jean-tinguely-sculpture-at-the-tate-gallery\">les sons des machines de Tinguely <\/a>lors d&rsquo;une r\u00e9trospective des oeuvres de l&rsquo;artiste \u00e0 la Tate Gallery (1982), Sarah Lucas, <a href=\"https:\/\/www.tate.org.uk\/art\/archive\/items\/tga-200414-7-3-2-51\/audio-arts-published-supplement-john-berger-notes-for-pages-of-the-wound\">John Berger<\/a> lisant ses propres po\u00e8mes tir\u00e9s de Pages Of The Wound, Gerhard Richter, <a href=\"https:\/\/www.tate.org.uk\/art\/archive\/items\/tga-200414-7-3-2-31\/audio-arts-published-supplement-laurie-anderson\">Laurie Anderson<\/a> (1981) ou <a href=\"https:\/\/www.tate.org.uk\/art\/archive\/items\/tga-200414-7-3-1-27\/audio-arts-volume-8-nos-2-3\">Andy Warhol<\/a> lors de l&rsquo;exposition de grands autoportraits \u00e0 Londres (Anthony Offray Gallery, Side C, minute 29, 1986).<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><\/div><\/div>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.youtube.com\/watch?v=cylONhQTqSM\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1007\" height=\"572\" src=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2020\/10\/image-1.png?resize=1007%2C572&#038;ssl=1\" alt=\"\" class=\"wp-image-2582\" srcset=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2020\/10\/image-1.png?w=1007&amp;ssl=1 1007w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2020\/10\/image-1.png?resize=300%2C170&amp;ssl=1 300w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2020\/10\/image-1.png?resize=768%2C436&amp;ssl=1 768w\" sizes=\"auto, (max-width: 1007px) 100vw, 1007px\" \/><\/a><\/figure>\n\n\n\n<p>ARTS AUDIO SUR YOUTUBE : &#8212;&#8211;&gt; <a href=\"https:\/\/www.youtube.com\/watch?v=cylONhQTqSM\">https:\/\/www.youtube.com\/watch?v=cylONhQTqSM<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>AUDIO ARTS est un magazine sur cassette audio, publi\u00e9 entre 1972 et 2004 par Bill Furlong. Il documente l\u2019activit\u00e9 artistique contemporaine par l\u2019enregistrement des voix des artistes, g\u00e9n\u00e9ralement capt\u00e9es \u00e0 proximit\u00e9 de leur travail.&nbsp;Le fonds comporte \u00e9galement des entrevues entre les artistes et les conservateurs, des commentaires par des artistes sur leurs \u0153uvres, des contenus&hellip;&nbsp;<a href=\"https:\/\/campus.hesge.ch\/headbiblio\/2020\/11\/audio-arts-_-une-archive-sonore\/\" rel=\"bookmark\">Lire la suite &raquo;<span class=\"screen-reader-text\">AUDIO ARTS _ une archive sonore<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[12,64,65],"class_list":["post-2524","post","type-post","status-publish","format-standard","hentry","category-retroviseur","tag-archives","tag-arts-visuels","tag-audio"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts\/2524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/comments?post=2524"}],"version-history":[{"count":17,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts\/2524\/revisions"}],"predecessor-version":[{"id":2617,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts\/2524\/revisions\/2617"}],"wp:attachment":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/media?parent=2524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/categories?post=2524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/tags?post=2524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}