{"id":2848,"date":"2021-04-29T12:20:25","date_gmt":"2021-04-29T12:20:25","guid":{"rendered":"https:\/\/campus.hesge.ch\/headbiblio\/?p=2848"},"modified":"2026-01-13T07:57:58","modified_gmt":"2026-01-13T07:57:58","slug":"image-en-mouvement-theorie-et-cinema","status":"publish","type":"post","link":"https:\/\/campus.hesge.ch\/headbiblio\/2021\/04\/image-en-mouvement-theorie-et-cinema\/","title":{"rendered":"Still &#8211; Art Film : th\u00e9orie et cin\u00e9ma"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote has-text-align-center is-layout-flow wp-block-quote-is-layout-flow\"><p><em>\u00ab\u00a0Looking at our times through the prism of the moving image.<br>At Fondazione In Between Art Film, we foster dialogues between video, cinema, and performance, supporting artists and institutions whose visions cross the boundaries between creative disciplines.\u00a0\u00bb<\/em><\/p><cite>Tir\u00e9 du site : https:\/\/still.inbetweenartfilm.com\/en\/about\/<\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"487\" src=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2021\/04\/image.png?resize=1024%2C487&#038;ssl=1\" alt=\"\" class=\"wp-image-2854\" srcset=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2021\/04\/image.png?resize=1024%2C487&amp;ssl=1 1024w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2021\/04\/image.png?resize=300%2C143&amp;ssl=1 300w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2021\/04\/image.png?resize=768%2C366&amp;ssl=1 768w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2021\/04\/image.png?resize=1536%2C731&amp;ssl=1 1536w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2021\/04\/image.png?resize=1320%2C628&amp;ssl=1 1320w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2021\/04\/image.png?w=1872&amp;ssl=1 1872w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/still.inbetweenartfilm.com\/en\/<\/a><\/figcaption><\/figure><\/div>\n\n\n\n<p id=\"tw-target-text\">La <em><a rel=\"noreferrer noopener\" href=\"http:\/\/inbetweenartfilm.com\/\" target=\"_blank\">Fondazione In Between Art Film<\/a><\/em> a \u00e9t\u00e9 fond\u00e9e avec la mission de soutenir les artistes et les institutions qui travaillent dans le domaine de l&rsquo;image en mouvement et explorent les fronti\u00e8res entre les disciplines cr\u00e9atives. La fondation a r\u00e9cemment lanc\u00e9 une nouvelle revue en ligne qui aborde les aspects th\u00e9oriques en faisant des liens vers l&rsquo;histoire de l&rsquo;art : <a rel=\"noreferrer noopener\" href=\"https:\/\/still.inbetweenartfilm.com\/en\/about\/\" target=\"_blank\">STILL &#8211; Etudes sur les images en mouvement<\/a>. Cette plateforme exp\u00e9rimentale permet le dialogue entre les artistes et les institutions par l&rsquo;\u00e9criture. \u00c0 travers des textes et des entretiens sp\u00e9cialement command\u00e9s, STILL explore les pi\u00e8ces de sa collection et les pratiques des artistes qui travaillent ou ont travaill\u00e9 avec la fondation.  Publi\u00e9e sur une base trimestrielle, chaque \u00e9dition de STILL comprend quatre sections :     <\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Double Exposure<\/strong> : conversations entre artistes et conservateurs     <\/li><li><strong>Close-Up<\/strong> : analyse d&rsquo;une \u0153uvre d&rsquo;art sp\u00e9cifique de la collection     <\/li><li><strong>Cross-Cutting<\/strong> : nouveaux essais sur la th\u00e9orie et l&rsquo;histoire     <\/li><li><strong>First Look<\/strong> : \u0153uvres r\u00e9cemment acquises par la fondation<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Nos collections &amp; nouveaut\u00e9s <\/h2>\n\n\n\n<p>La biblioth\u00e8que propose un fonds de pr\u00e8s de 4&rsquo;000 DVD. De nombreux documentaires mais aussi des films d&rsquo;auteurs, des s\u00e9ries et des classiques. Vous pouvez en emprunter jusqu&rsquo;\u00e0 5 pour un dur\u00e9e d&rsquo;une semaine, renouvelable quatre fois ou venir les visionner sur place : nous avons deux grands \u00e9crans et des casques \u00e0 disposition. <a rel=\"noreferrer noopener\" href=\"https:\/\/hesso.swisscovery.slsp.ch\/discovery\/search?query=any,exact,gehead%202021~2F04,AND&amp;tab=41SLSP_HES_MyInst_and_CI&amp;search_scope=MyInst_and_CI&amp;sortby=rank&amp;vid=41SLSP_HES:VU1&amp;facet=library,include,5514%E2%80%93112048280005514&amp;facet=rtype,include,videos&amp;mode=advanced&amp;offset=0\" target=\"_blank\">Trouvez les nouvelles acquisitions dans le catalogue !<\/a><\/p>\n\n\n\n<p>A l&rsquo;honneur ce mois-ci, douze films projet\u00e9s au <a rel=\"noreferrer noopener\" href=\"https:\/\/www.tdg.ch\/impatient-de-renouer-avec-les-genevois-le-plaza-ouvre-ses-portes-cet-automne-573956394858\" target=\"_blank\">cin\u00e9ma le Plaza \u00e0 Gen\u00e8ve<\/a> entre 1956 et 1976. Douze films choisis par <a rel=\"noreferrer noopener\" href=\"http:\/\/www.fabienneradi.ch\/\" target=\"_blank\">Fabienne Radi<\/a> pour le projet artistique \u00ab\u00a0Il \u00e9tait une fois le Plaza\u00a0\u00bb, (affiches s\u00e9rigraphi\u00e9es, <em>S01E02<\/em>). Elle y \u00e9gr\u00e8ne douze films qui comportent un nombre dans leur titre et qui nous rappellent l&rsquo;histoire du cin\u00e9ma. <br>Profitez-en aussi pour feuilleter <em><a rel=\"noreferrer noopener\" href=\"http:\/\/www.lacouleurdesjours.ch\/index.php\" target=\"_blank\">La couleur des jours<\/a><\/em> disponible \u00e0 la biblioth\u00e8que et suivre les projets entourant la r\u00e9novation du mythique cin\u00e9ma, gr\u00e2ce au cahier sp\u00e9cial <em>Le Plaza, invitation au voyage<\/em>.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Un <\/strong>am\u00e9ricain \u00e0 Paris <\/li><li><strong>Deux <\/strong>sur la balan\u00e7oire<\/li><li>Le train sifflera <strong>trois <\/strong>fois<\/li><li>Les <strong>quatre <\/strong>filles du Dr March<\/li><li><strong>Sept <\/strong>ans de r\u00e9flexion<\/li><li><strong>8 1\/2<\/strong><\/li><li>A <strong>neuf <\/strong>heures de Rama<\/li><li>Les <strong>dix <\/strong>commandements<\/li><li>Les <strong>douze <\/strong>travaux d&rsquo;Ast\u00e9rix<\/li><li>A <strong>vingt-trois <\/strong>pas du myst\u00e8re<\/li><li>Le tour du monde en<strong> 80<\/strong> jours<\/li><li><strong>Cent mille<\/strong> dollars au soleil<\/li><\/ul>\n\n\n\n<p>Radi, Fabienne. <em>Accent allemand, princesse hindoue et croissants dans l&rsquo;arri\u00e8re plan. <\/em>La couleur de jours, n\u00b038, printemps 2021.<br> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0Looking at our times through the prism of the moving image.At Fondazione In Between Art Film, we foster dialogues between video, cinema, and performance, supporting artists and institutions whose visions cross the boundaries between creative disciplines.\u00a0\u00bb Tir\u00e9 du site : https:\/\/still.inbetweenartfilm.com\/en\/about\/ La Fondazione In Between Art Film a \u00e9t\u00e9 fond\u00e9e avec la mission de soutenir&hellip;&nbsp;<a href=\"https:\/\/campus.hesge.ch\/headbiblio\/2021\/04\/image-en-mouvement-theorie-et-cinema\/\" rel=\"bookmark\">Lire la suite &raquo;<span class=\"screen-reader-text\">Still &#8211; Art Film : th\u00e9orie et cin\u00e9ma<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":2854,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1,101],"tags":[51,52,69],"class_list":["post-2848","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","category-plateformes-en-ligne-uncategorized","tag-cinema","tag-dvd","tag-films"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2021\/04\/image.png?fit=1872%2C891&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts\/2848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/comments?post=2848"}],"version-history":[{"count":12,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts\/2848\/revisions"}],"predecessor-version":[{"id":3887,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts\/2848\/revisions\/3887"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/media\/2854"}],"wp:attachment":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/media?parent=2848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/categories?post=2848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/tags?post=2848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}