{"id":3653,"date":"2024-11-07T10:53:43","date_gmt":"2024-11-07T10:53:43","guid":{"rendered":"https:\/\/campus.hesge.ch\/headbiblio\/?p=3653"},"modified":"2024-11-07T11:10:57","modified_gmt":"2024-11-07T11:10:57","slug":"article-invite-e-politique-et-design","status":"publish","type":"post","link":"https:\/\/campus.hesge.ch\/headbiblio\/2024\/11\/article-invite-e-politique-et-design\/","title":{"rendered":"Article invit\u00e9-e :  Politique et design"},"content":{"rendered":"\n<p><strong>La politique dans le design&nbsp;; les artistes qui ont marqu\u00e9s la politique avec leurs arts<\/strong><br><em>Un article \u00e9crit par Vanessa Dutoit, stagiaire au sien de la biblioth\u00e8que<\/em><\/p>\n\n\n\n<p>Les \u00e9lections pr\u00e9sidentielles des \u00c9tats-Unis viennent de se terminer. <br>Mais savez-vous r\u00e9ellement l\u2019enjeu que le design a sur la politique ? Comment est-ce qu\u2019il peut changer le court d\u2019un \u00e9v\u00e9nement rien qu\u2019avec une seule image&nbsp;?<br>Le design et l\u2019art sont avant tout des symboles embl\u00e9matiques de notre soci\u00e9t\u00e9 mais si ceux-ci sont utilis\u00e9s avec minutie, ils peuvent nous permettre d\u2019\u00e9laborer une d\u00e9marche politique qui est simple mais qui est suffisamment importante pour marquer une campagne politique.<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:44% auto\"><figure class=\"wp-block-media-text__media\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2024\/11\/shepardfairey_obamahope-32955-1.jpg?resize=1000%2C1000&#038;ssl=1\" alt=\"Poster de Shepard Fairey en 2008\" class=\"wp-image-3654 size-full\" srcset=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2024\/11\/shepardfairey_obamahope-32955-1.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2024\/11\/shepardfairey_obamahope-32955-1.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2024\/11\/shepardfairey_obamahope-32955-1.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2024\/11\/shepardfairey_obamahope-32955-1.jpg?resize=768%2C768&amp;ssl=1 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Prenons l\u2019exemple de Shepard Fairey avec son affiche \u00ab<em>&nbsp;hope&nbsp;<\/em>\u00bb.<\/p>\n\n\n\n<p>Ici, on peut observer une affiche de campagne que Shepard Fairey &#8212; un designer &#8212; \u00e0 cr\u00e9er en 2008 lors de la campagne pr\u00e9sidentielle de Barack Obama.<\/p>\n\n\n\n<p>Cette affiche a donn\u00e9 un tout autre tournant \u00e0 l\u2019Am\u00e9rique parce que ce poster a su donner de l\u2019espoir aux Am\u00e9ricains face \u00e0 la campagne \u00e9lectorale.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1015\" height=\"1024\" src=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2024\/11\/kruger_your_body.jpg.webp?resize=1015%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-3655 size-full\" srcset=\"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2024\/11\/kruger_your_body.jpg.webp?resize=1015%2C1024&amp;ssl=1 1015w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2024\/11\/kruger_your_body.jpg.webp?resize=298%2C300&amp;ssl=1 298w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2024\/11\/kruger_your_body.jpg.webp?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2024\/11\/kruger_your_body.jpg.webp?resize=768%2C774&amp;ssl=1 768w, https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2024\/11\/kruger_your_body.jpg.webp?w=1071&amp;ssl=1 1071w\" sizes=\"auto, (max-width: 1015px) 100vw, 1015px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Maintenant, regardons une deuxi\u00e8me artiste qui a marqu\u00e9 le monde avec son art&nbsp;: Barbara Kruger.<br>Voici l\u2019une de ses \u0153uvres les plus connues&nbsp;; <em>\u00ab&nbsp;Your body is a battleground&nbsp;\u00bb<\/em>, silkscreen, de 1989.<br>Qu\u2019on peut traduire par <em>\u00ab&nbsp;Ton corps est un champ de bataille&nbsp;\u00bb.<\/em> <\/p>\n\n\n\n<p>Grace \u00e0 ce montage photo de l\u2019artiste engag\u00e9e, on voit que ses \u0153uvres questionnent l\u2019\u00e9galit\u00e9 des genres, la consommation, et les questions de pouvoir.<br>L&rsquo; identit\u00e9 visuelle est bas\u00e9e sur un code couleur : blanc, noir et rouge. Ces images sont toujours accompagn\u00e9es d\u2019un slogan percutant qui nous pousse \u00e0 nous remettre en question.<\/p>\n<\/div><\/div>\n\n\n\n<p>Si ce sujet vous int\u00e9resse davantage, nous avons des ouvrages sur <a href=\"https:\/\/hesso.swisscovery.slsp.ch\/discovery\/search?query=any,contains,barbara%20kruger&amp;tab=MyInst_and_CI_and_ExtDS&amp;search_scope=MyInst_and_CI_and_ExtDS&amp;vid=41SLSP_HES:VU1&amp;facet=tlevel,include,available_p&amp;facet=library,include,5514%E2%80%93112048280005514&amp;offset=0\">Barbara Kr\u00fcger<\/a> et <a href=\"https:\/\/hesso.swisscovery.slsp.ch\/discovery\/search?query=any,contains,Shepard%20Fairey&amp;tab=MyInst_and_CI_and_ExtDS&amp;search_scope=MyInst_and_CI_and_ExtDS&amp;vid=41SLSP_HES:VU1&amp;facet=library,include,5514%E2%80%93112048280005514&amp;offset=0\">Shepard Fairey<\/a> dans notre biblioth\u00e8que \u00e0 la HEAD.<\/p>\n\n\n\n<p><strong>Bibliographie&nbsp;:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Arendt, Hannah, Sylvie Courtine-Denamy, et Ursula Ludz. <em>Qu\u2019est-ce que la politique<\/em><em>\u202f<\/em><em>?<\/em> Paris: Ed. du Seuil, 2009. Print.<\/li>\n\n\n\n<li>Kruger, Barbara. <em>Remote Control<\/em><em>\u202f<\/em><em>: Power, Cultures, and the World of Appearances<\/em>. Cambridge, Mass. [etc: MIT Press, 1993. Print.<\/li>\n\n\n\n<li>Fairey, Shepard. <em>Obey\u202f: Supply &amp; Demand\u202f: The Art of Shepard Fairey<\/em>. 20th anniv. ed., rev. Berkeley: Gingko Press, 2009. Print.<\/li>\n<\/ul>\n\n\n\n<p>En compl\u00e9ment, l&rsquo;\u00e9quipe de la biblioth\u00e8que vous recommande cette vid\u00e9o qui \u00e9voque le traitement m\u00e9diatique de l&rsquo;image de Trump du point de vue du NY Times (en anglais) : \u00ab\u00a0<a href=\"https:\/\/youtu.be\/PHLP3LxvGrI?si=VKbShTBMbbRPNXji\">Donald Trump and the TIME Cover: A Visual History<\/a>\u00ab\u00a0, mai 2024 et (en fran\u00e7ais) <a href=\"https:\/\/www.youtube.com\/watch?v=ETgiMdpIBNg\" target=\"_blank\" rel=\"noreferrer noopener\">\u00ab\u00a0Donal Trump et les caricaturistes\u00a0\u00bb<\/a>, dans l&rsquo;\u00e9mission Arte, <em>Le dessous des images<\/em>, octobre 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La politique dans le design&nbsp;; les artistes qui ont marqu\u00e9s la politique avec leurs artsUn article \u00e9crit par Vanessa Dutoit, stagiaire au sien de la biblioth\u00e8que Les \u00e9lections pr\u00e9sidentielles des \u00c9tats-Unis viennent de se terminer. Mais savez-vous r\u00e9ellement l\u2019enjeu que le design a sur la politique ? Comment est-ce qu\u2019il peut changer le court d\u2019un&hellip;&nbsp;<a href=\"https:\/\/campus.hesge.ch\/headbiblio\/2024\/11\/article-invite-e-politique-et-design\/\" rel=\"bookmark\">Lire la suite &raquo;<span class=\"screen-reader-text\">Article invit\u00e9-e :  Politique et design<\/span><\/a><\/p>\n","protected":false},"author":19,"featured_media":3660,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3653","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/campus.hesge.ch\/headbiblio\/wp-content\/uploads\/2024\/11\/Fs5vf5XXsAAnIJL.jpg?fit=675%2C900&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts\/3653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/comments?post=3653"}],"version-history":[{"count":6,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts\/3653\/revisions"}],"predecessor-version":[{"id":3665,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/posts\/3653\/revisions\/3665"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/media\/3660"}],"wp:attachment":[{"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/media?parent=3653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/categories?post=3653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/campus.hesge.ch\/headbiblio\/wp-json\/wp\/v2\/tags?post=3653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}